An occasional music spot - remembering places around the World

Another place memory that features a bar on the Costa Brava in Spain. 

The story begins in 1972 when a crowd of us went to Lloret de mar for a two-week holiday at the end of August. In 1975 we were back again and discovered this bar midway between the two main beach areas. It was a hike along a sea cliff path but never busy mid-afternoon, so much so we often had the deck to ourselves and would refer to 'Cala Banys' as 'The Club'. A perfect spot to drink and listen to the music they played, often at our request, in such surroundings.  

This Moody Blues track will always remind me of those times. 'New Horizons' [out to sea] >

From the album 'Seventh Sojourn' which was actually released in 1972, a few months after our very first Lloret holiday.

Suntan and San Miguels (same again) at our club 'Cala Banys' - 1975
(left to right): D. Clack, G. Moorhouse, B. Pocock, J. Dodd (sitting), A. Robertson & J. Chick. 

Cheers  

   

Some artists have not featured previously on the FMS because I have found it difficult to pick one favourite track, as I have so many. Tom Waits is one of those artists.

Much like Lucinda Williams from back in May, his voice changed considerably over the years. Tom Waits is also an artist who defies categorisation. Not to mention the jazz, blues, folk, rock vaudeville & experimental music styles, he's been called a jazz troubadour, barfly, beat writer, 'old tomcat', nighthawk, possessing a boozy growl of a voice, like a lingering hangover and a true poet and storyteller of the rock and roll era. He's constantly changing hats and personalities.  

His second LP release in 1974 was called 'The Heart of Saturday Night'. The title song was written as a tribute to Jack Kerouac. The video is just the LP cover plus the song's lyrics:

You're looking for the heart of Saturday night

The album ends with 'The Ghosts of Saturday Night' -  As he dreams of a waitress with Maxwell House eyes and marmalade thighs with scrambled yellow hair 😏

  

Having talked last week of the band Ten Years After appearing at Reading, it reminded me of this track I found not so long ago.

Lead guitarist Alvin Lee with 'The Bluest Blues' from the "Nineteen Ninety Four" album released in the year 1994, with a certain George Harrison playing slide guitar.

The full line-up being: Alvin Lee - guitar & vocals; George Harrison - slide guitar; Steve Gould - bass; Tim Hinkley - hammond organ; Alan Young - drums; Steve Grant - keyboards.

Alvin channelling his very best Gary Moore - or should it be the other way round ? 

Amazing and comprehensive Ten Years After fan site: click here and select a year to view. FYI

   

Billed as the "11th National Jazz, Blues, Folk & Rock Festival" - Reading. Now simply known as the 'Reading Festival' this was my first such event in August 1972.

See this poster of the line-up and the £3.25 paid for the entire weekend*. 

"Arriving with 3 mates from London on Friday evening having been searched (for drugs) at Reading Station, a delay that caused me to miss the start of the Genesis set. Hurrying into the arena to the strains of 'The Musical Box', having nearly as hurriedly pitched the tent for the weekend, I did catch the end of their performance followed by that of Mungo Jerry and Curved Air. 

Having consulted various websites for further memory joggers I must confess a lot of the weekend and the music is a bit of a blur. Focus were good, as were The Faces. I recall John Peel as one of the compares but aside from Status Quo I remember little about Sunday beyond the Ten Years After set being quite late on and us leaving to catch a train back to London before if was to late."

PS: Diplomacy stops me revealing the names of my fellow festival goers, who would edge me out of the end of the tent on both nights, due to the limited space at our disposal. Here lies a possible reason for my memory loss, being down to a lack of sleep.

 

Some music then from The Faces setlist (link) - as the band played various tracks before ending with Rod Stewart's recent solos successes. Their third number of the night was the excellent 'Stay with Me' > such a good instrumental intro

While looking for this track I came across another version from the Foo Fighters with Chad Smith guesting on drums and Taylor Hawkins on vocals (click here for that). 

➤ NB: Billed as the 11th but actually the 12th (see more on that here)

* This years Reading Festival will cost you £259 for a weekend ticket.

  

Staying in the 60s and the California sun (see the previous two posts) for some 'Sunshine Pop' >

Often the 'B' side of a great single can be much more than just the backside of a hit 45 ! 

This The Mamas & the Papas track is a wonderful example of a hidden gem. So playing DJ let's flip the 1966 single 'I Saw Her Again' (follow up to 'Monday, Monday') and give 'Even If I Could' a spin. 

Nice video of the Mamas and Papas too. 

A new occasional music spot - remembering places around the World

This is something new. The idea is simple, I remember a place and then an associated piece of music to accompany it.

Starting today with a place in San Francisco in 1978. At the end of an East > West 'Road Trip' we met up with a group of Long Islanders living the Summer in the City. That first evening of friendship, the first of many down the years, we went to the cinema at 10pm, to see 'Foul Play' with Chevy Chase, Goldie Hawn and Dudley Moore. The cinema entrance fee was $4. Brilliant movie and all filmed in San Francisco for added interest while afterwards we went to a bar on Van Ness street, for coffee and carrot cake, called 'Tommy's Joynt' (still there I understand). 

My journal entry records the following: "paraphernalia bar with the most colossal selection of beers from all over the world". 

Back to the movie for the rather cheesy title music, which plays over the opening drive along California Highway 1 - a road we had only travelled along the day before.

Barry Manilow sings 'Ready to Take a Chance Again' - enjoy the drive